Norah Zuniga Shaw’s creative and research interests center on choreographic knowledge as a locus for interdisciplinary and intercultural creativity. Her most recent work, a collaboration with William Forsythe and Maria Palazzi, is a screen-based work published online entitled Synchronous Objects for One Flat Thing, reproduced. Flowing from dance to data to visual objects, the project was launched at the Wexner Center for the Arts in 2009 and has received numerous honors including features in the New York Times and Communication Arts. Since 2009, Zuniga-Shaw has toured the project as a hybrid exhibition/workshop/lecture event to numerous sites in Europe and Asia with producing support from the Goethe Institute. She is currently working on a book about Synchronous Objects and a new collaboration with Maria Palazzi commissioned by The Forsythe Company’s Motion Bank initiative and focusing on the work of choreographers Bebe Miller and Thomas Hauert.